"Get your facts first, then you can distort them as you please."

Mark Twain (via avadevinesbadadvice)

"I was 3 when I told my mom that I knew what my dharma was and that I wanted to be an actor"

(Source: breelarson, via filmlovingfreak)

Game of Thrones Cast attends the panel and Q&A during Comic-Con International 2014 at San Diego Convention Center on July 25, 2014 in San Diego, California

(Source: stiles-stlinski, via ardenreeves)

gameofthronesdaily:

Natalie Dormer during the 2014 Comic-Con in San Diego. [x]

gameofthronesdaily:

Natalie Dormer during the 2014 Comic-Con in San Diego. [x]

(via zoestasya)

anymousse:

And now, a deep moment from Dr Heinz Doofenshmirtz.

anymousse:

And now, a deep moment from Dr Heinz Doofenshmirtz.

(Source: jaguarslair, via gethenian)

katarakarate:

definitelynotsatan:

seerofsarcasm:

oliviatheelf:

The saddest thing is that most people will find this humorous instead of serious. We’re standing right beside one another, and yet we text others instead of actually speaking to each other. Have you ever sat down and thought about how uncomfortable we now are around one another that it’s so bad that we literally pretend to be texting someone when we’re not, just so it’s less awkward to stand beside people? What’s supposed to strengthen our bonds has taken away from it. It’s time to take our faces out of our phones and notice the world, give a kind gesture to someone, and go SEE your friends instead of just texting them.
I’m going to let that sink in.

Ah yes let me just up and leave school right in between my classes so I can go see the friend 40 miles away that i’m currently texting instead of making idle chit chat with the people around me that I don’t particularly care for.Fuck your pretentious shit.


"whines evil technology is making people antisocial its not real communication if its not face to face and im a pretentious self righteous shitbaby that asks random people on the street for the time and feels good about it"

katarakarate:

definitelynotsatan:

seerofsarcasm:

oliviatheelf:

The saddest thing is that most people will find this humorous instead of serious. We’re standing right beside one another, and yet we text others instead of actually speaking to each other. Have you ever sat down and thought about how uncomfortable we now are around one another that it’s so bad that we literally pretend to be texting someone when we’re not, just so it’s less awkward to stand beside people? What’s supposed to strengthen our bonds has taken away from it. It’s time to take our faces out of our phones and notice the world, give a kind gesture to someone, and go SEE your friends instead of just texting them.

I’m going to let that sink in.

Ah yes let me just up and leave school right in between my classes so I can go see the friend 40 miles away that i’m currently texting instead of making idle chit chat with the people around me that I don’t particularly care for.

Fuck your pretentious shit.

image

"whines evil technology is making people antisocial its not real communication if its not face to face and im a pretentious self righteous shitbaby that asks random people on the street for the time and feels good about it"

(via atopfourthwall)

sschol:

this is from spy kids

(Source: nasturbate, via lindsayetumbls)

cinephiliabeyond:

A real piece of cinema history, the original editor’s copy of Citizen Kane, courtesy of Reddit user, ToastieCoastie. In 1941, Robert Wise had recently graduated from an apprentice editorship to a full-time editor, having cut Dorothy Arzner’s Dance, Girl, Dance  and William Dieterle’s The Hunchback of Notre Dame  before he interviewed for the job on Citizen Kane. The film’s studio, RKO, had already assigned an older editor to the picture, but Welles fired him and hired Wise, who was just 6 months older than the 25 year-old director.

I worked with him like I did with any director in those days. When he shot all the angles in a sequence, I would put it in a cut and then I would show it to him and he would say, ‘don’t use that close up,’ or ‘why didn’t you use those over-the-shoulders I shot?’ —Interview with Robert Wise

Enjoy in the most complete investigation in the origins and making of one of the most important films in cinema history:

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